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The Invisible Hour by Alice Hoffman

The Invisible Hour by Alice Hoffman

This review originally appeared in the New York Review of Books.

invisible-hour-alice-hoffman-book-review-jeanne-blasbergWith a truly imaginative structure, Alice Hoffman delves into what has become her trademark theme of magic. The Invisible Hour asks a grand “What if?” Not so much the question posed on the book’s jacket: What if Mia Jacob never found the library or The Scarlet Letter by Nathaniel Hawthorne? The larger question the novel contemplates is whether a young woman can escape so deeply into a book, and fall so deeply in love with its author that she time travels to 1837 to be with him? And what if their meeting and ensuing mutual love is what propelled him to write that very masterpiece, ultimately dedicating it to her?

Indeed, when Mia Jacobs breaks the rules of “The Community,” the cult-like farm setting in which she lived with her mother and was raised from birth to discover the small library in the town of Blackwell along with its kind librarian, a new world opens up to her. When she turns the cover of a first edition of The Scarlet Letter and reads its dedication, “To Mia, If it was a dream, it was ours alone and you were mine,” her imagination is set free. She wonders whether this book was truly meant as a message to her.

When Mia’s mother Ivy Jacob was a teenager in Boston, she found herself pregnant and ostracized by her Beacon Hill family. She fled to a farm in western Massachusetts overseen by Joel Davis who took care of her and protected her in a way her family never did. However, “The Community” had rigid rules where children were taken away from their mothers to be raised communally, where books or interaction with the outside world was forbidden, and where Joel Davis’s word was final. He took Ivy for a wife and treated her as his favorite, which led to some leniency when it came to Ivy and Mia’s behavior. However, when books were uncovered in haybales in the barn, somebody had to be punished. In order to protect her daughter, Ivy claimed they were hers and as a result, her beautiful long red hair was cut off.

Despite Mia trying to convince her mother that they should run away, Ivy feared Joel would find them and cause them harm. Indeed, he proved adept at seeking out Mia after her successful escape from The Community. During her low point, after her mother’s death, when Mia felt she has nothing left to lose, she made her way to the Blackwell Library in the dark of night, used a key the librarian had snuck her and asked for help.

Sarah, the librarian, was able to create a refuge for Mia across the state in Concord where she could begin a more normal life, attending school and spending time in the library. Joel was often spotted lurking nearby. He let her know he was watching by leaving the unmistakable red leaves of The Community’s signature apples, or by confronting her guardian Constance. After graduating from college, Mia finds her dream job working at the New York Public Library.

The second half of the novel is set in the 1837 in Salem, MA where Nathaniel Hawthorne is a depressed young man, living with his mother and sisters. He feels a failure as a writer and guilt over his grandfather’s role persecuting women as part of the Salem witch trials. Mia’s copy of The Scarlet Letter is a key to time travel and she soon finds herself in Salem as well, spending time with Nathaniel in a secret cottage in the woods and buoying him with her love.

Not wanting to alter the course of history and because of Nathaniel’s sister Elizabeth’s reproachful warnings, Mia returns to the present. She has no choice to return to 1837, however, after Joel hunts her down, claiming she has stolen the deed to his farm. He is relentless in his pursuit and so Mia returns to the past, dragging Joel along with her. It is during this period that Mia realizes she is pregnant with Nathaniel’s child. She will return to the present where she will raise her daughter proudly as a single mother.

Unwed motherhood and the ostracization that comes with it is a constant backdrop, allowing Hoffman to connect the branding of Hester Prynne with the experiences of Ivy and later Mia. Nathaniel’s sister, Elizabeth, introduces Mia to a hill dubbed the Hill of Death by some, Salvation Point by others, a place where women went to eat herbs in order to bring about miscarriage. Mia tells her of a later time when women have many opportunities including higher education and professional, while still not having autonomy when it came to reproduction. Mia’s time travel highlights the many differences between the past and the present, however, with regard to women’s autonomy, Hoffman drives home the point that frightingly little has changed.

 

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About The Invisible Hour:

One June day when Mia Jacob can no longer see a way to survive, the power of words saves her. The Scarlet Letter was written almost two hundred years earlier, but it seems to tell the story of Mia’s mother, Ivy, and their life inside the Community–an oppressive cult in western Massachusetts where contact with the outside world is forbidden. But how could this be? How could Nathaniel Hawthorne have so perfectly captured the pain and loss that Mia carries inside her?

Through a journey of heartbreak, love, and time, Mia must abandon the rules she was raised with at the Community. As she does, she realizes that reading can transport you to other worlds or bring them to you, and that readers and writers affect one another in mysterious ways. She learns that time is more fluid than she can imagine, and that love is stronger than any chains that bind you.

As a girl Mia fell in love with a book. Now as a young woman she falls in love with a brilliant writer as she makes her way back in time. But what if Nathaniel Hawthorne never wrote The Scarlet Letter? And what if Mia Jacob never found it on the day she planned to die?

From “the reigning queen of magical realism” (Kristin Hannah, New York Times bestselling author), this is the story of one woman’s dream. For a little while it came true.

 

Read more of Jeannie’s Reviews on her blog, on Goodreads or StoryGraph, or on the New York Journal of Books. For more TBR inspiration, check out Jeannie’s curated book lists at Bookshop.org

Of Women and Salt by Gabriela Garcia · NYJB Review

Of Women and Salt by Gabriela Garcia

This review was originally posted on the New York Journal of Books.

of-women-and-salt-gabriela-garcia-book-review-jeanne-blasbergOf Women and Salt is a tale of family legacy that juxtaposes the story of four generations of matrilineal descendants in a Cuban family spanning 150 years with the experiences of a lone Salvadoran mother and daughter caught up in the bureaucracy and dehumanization of modern-day US deportation. From a 19th century Cuban cigar factory to present day Miami on the one hand, to a border detention center and an arbitrary landing place in Mexico on the other, the novel’s chapters read like a series of interrelated short stories told from a variety of female perspectives.

Jeanette’s life is the most common thread throughout the book. She lives in a Miami neighborhood where everyone minds their own business. A recovering addict, Jeannette is doing temp work from home when Ana, the daughter of a single mother living next door, is dropped off by the babysitter to an empty home. A moment of connection follows as the young girl knocks on Jeannette’s door: “The girl scans her surroundings, and her eyes stop at Jeanette’s kitchen window. They stare at each other.”

This book is an achievement, with short-story-like chapters that nevertheless follow a satisfying arc.

Earlier in the day, Jeanette had seen ICE agents raid the home and take the little girl’s mother away. Still, Jeanette’s decision to open her door is not easy. After eventually letting the girl in, she feeds her and puts her to bed, then closes the door to her bedroom and Googles “What happens to children if their parents are deported?”

The next day, Jeanette is visited by her mother Carmen, a woman Jeanette describes as “Pearls, slacks, wrinkle cream, a box of blank thank-you notes. Always put together. Always carrying a whiff of her own success and composure like a cardigan at the shoulders. You look at her and just know: here is a woman with answers. So often Jeanette has wondered how she came from such a woman.”

When Carmen discovers her daughter’s desire to take care of Ana, she is incensed, saying, “Jeanette. This is not a game. You’re on probation. You really want to mess everything up again?” The irony is that Carmen, a Cuban immigrant herself, has no compassion for the little girl’s plight. Jeanette asks her, “You’re an immigrant. . . . Do you ever think about how Cubans get all this special treatment . . . Don’t you think it’s your responsibility to give a shit about other people?”

Of Woman and Salt proves that no matter how much one wishes to disassociate with the past, our lives are inextricably wound up with the actions of those who came before us.

And so, the intrigue begins, why did Carmen leave Cuba so many years ago if it wasn’t for political reasons? After hosting Thanksgiving dinner, Carmen shares her perspective on her homeland in relation to her new country: “Cuba this, Cuba that. Cuba Cuba Cuba. Why anyone left a place only to reminisce, to carry its streets into every conversation, to see every moment through the eyes of some imagined loss, was beyond her. Miami existed as such a hollow receptacle of memory, a shadow city, full of people who needed a place to put their past into perspective. Not her. She lived in the present.”

Or she tries to. Of Woman and Salt proves that no matter how much one wishes to disassociate with the past, our lives are inextricably wound up with the actions of those who came before us.

Carmen’s line goes back to Maria Isabel in Camagüey, Cuba, in the year 1866 rolling cigars while her future husband reads aloud from Victor Hugo. Violence abounds for the family and much is kept secret. When Jeanette travels to Cuba in search of answers about her mother, her past, even something of herself, she is hosted by Maydelis, a cousin of her own generation.

Here, the novel offers back-to-back chapters from both women’s points of view, a terrific contrast of worldview. Maydelis’ first reaction to this cousin from America is that she is nothing more than a tourist, blind to her family’s struggle. Maydelis observes, “Jeanette offers to pay but she’s carrying only divisa, not moneda nacional. Constantly she complains about the unfairness of the double-currency system, about how mad she feels paying a commission to exchange dollars into CUCs. There seem so many other easy injustices to point to; I’m frequently amused by what catches her fancy.”

Meanwhile, Jeanette notes of Maydelis, “All she wants to talk about is the United States, what it’s like over there . . . she lists kinds of people that exist in Cuba—freakies, emos, Mickeys, repas. She lists what they wear and what music they listen to and where they hang out and I realize every country is different but the same. Every country has its own lunch tables.”

Of Women and Salt is a beautifully written novel that turns like a kaleidoscope in the light, illuminating the blurry delineation of who is an insider and who an outsider.

And then there is the plight of Gloria and Ana, mother and daughter torn apart by an ICE raid and reunited in a border detention center for families many months after Jeanette discovers Ana at her front door. In a chapter told from Gloria’s point of view, she shares a memory of a Christian missionary who told her as a child, “Despite having so little. . . you are so happy. You could teach the children in my country so much about what’s really important in life.”

Gloria explains that she had never thought of herself as having little. She says of the missionary, “I wondered what she had expected: sad poor people being sad and poor at every sad, poor moment of their lives? She mistook happiness for what it was—how we survive and build lives out of the strings that we hold.” The women in Of Woman and Salt do just that—they build lives out of the strings they hold.

Gloria’s assessment of an outsider judging what she couldn’t possibly understand underscores a recurring theme in this book, aided by the narrative technique of multiple points of view. Examples of racism and the stratification to which human beings are subject fill Gabriela Garcia’s novel. When Jeanette is in Cuba she observes her grandmother’s blatant racism toward a neighbor who is Black, but she notes, “it isn’t as though Black Cubans fare better in Miami, where racism is polite, quiet. This is the fact: In Miami, Cuban is synonymous with white. In Miami, Cubans will scoff when you call them Latino. ‘I’m not Latino, I’m Cuban,’ they will say. By which I mean, I am white, another kind of white you don’t know about, outsider.”

Of Women and Salt is a beautifully written novel that turns like a kaleidoscope in the light, illuminating the blurry delineation of who is an insider and who an outsider. The chapters build upon each other, offering the reader cumulative insight and a sense of dramatic irony. But even while the reader understands much more than any given character ever does, the author also allows precious white space where the reader can come to her own conclusions. This book is an achievement, with short-story-like chapters that nevertheless follow a satisfying arc. Even better, they culminate in a redeeming and emotional ending.

 

Read more of Jeannie’s Reviews on her blog, on Goodreads, or on the New York Journal of Books. For more TBR inspiration, check out Jeannie’s curated book lists at Bookshop.org

Brown Girl Dreaming by Jacqueline Woodson

brown-girl-dreaming-jacqueline-woodson-book-review-jeanne-blasbergBrown Girl Dreaming by Jacqueline Woodson

To write a memoir in prose, to distill each experience into just the right words, to leave enough white space on the page for a reader to jump in and participate with the language, that is the work of a master. Reader, you already know you are in masterful hands with Jacqueline Woodson. I listened to an interview with Woodson on the Write-Minded podcast with Brooke Warner and Grant Faulkner where she admitted that it was possible to consume Brown Girl Dreaming in one sitting, but that it pained her to hear when readers did that. She really wished we wouldn’t. Indeed, I enjoyed this memoir slowly in bites I could savor. Keeping it on hand for quiet moments when I could sit and think and enjoy the cadence of the verse. It is a book you will want to keep close at hand, a reminder that poignant imagery transports and conveys meaning better than pages and pages and pages. This is a beauty of a book!

More reviews from Jeannie.

The Ten-Year Nap by Meg Wolitzer

ten-year-nap-meg-wolitzer-book-review-jeanne-blasbergThe Ten-Year Nap by Meg Wolitzer

So I’m late to the party on this one but The Ten-Year Nap belongs on the shelf of important feminist novels, addressing issues around motherhood and women spend their time. I am a big fan of Meg Wolitzer and picked this one up after really enjoying her more recent novels. THE TEN YEAR nap felt like listening in on “lessons learned” from generations of suffragists while being entertained by the travails of some marvelous characters. I was drawn in by the omniscient first sentence right away, “All around the country, the women were waking up.” Brava.

 

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A Very Punchable Face by Colin Jost

colin-jost-very-punchable-face-book-review-jeanne-blasbergA Very Punchable Face by Colin Jost

I became a fan of Colin Jost after he delivered the commencement speech at my daughter’s high school graduation – more of a stand up comedy routine than a speech, but he did end up delivering a great message in the end. So I pre-ordered his book as soon as I learned of its pending release and it was like one of those gifts that hits at the perfect moment. Written with humility to the point of self-deprecation, A Very Punchable Face will have you laughing out loud, smiling, and as was the case with the chapter about why he loves his mom, maybe shedding a tear. I suggested my daughter listen to the audio on a recent long drive and it was the perfect travel companion – entertaining yet inspirational. Colin’s honesty and commitment to hard work shines through every page. He is a great guy and Scarlet Johansen is one lucky gal. I highly recommend for any age, to inspire, to make you laugh, to get through a dark time. Really great.

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